Bertrand Chameroy is an actor and writer, known for La semaine des 4 jeudis (2014), Golden Moustache (2012) and 6 à la maison (2020). Bertrand Chameroy is an actor and writer, known for La semaine des 4 jeudis (2014), Golden Moustache (2012) and 6 à la maison (2020). I’m planning to take a clearer direction in future.”. “I don’t remember it, but apparently I learned to read music in less than a month. "Bonjour La France" du lundi au vendredi 10/12h sur Europe1 Fan page. Having reached the finals of the Long-Thibaud at the age of 20, he stops. Creating new music must be at the heart of the approach.”, He talks about other ambitious projects “to fill in the gaps in his world view” and makes a statement that sounds something like a credo: “One of the most beautiful things one can do is to solicit new creations and truly to become a link in the history music by being oneself a key interpreter in the development of the instrument’s repertoire.” Chamayou therefore intends to multiply his number of commissions, “making precise choices, from composers I like, but staying very eclectic at the level of musical sensibility”. We spoke to the director of a magical short film who sees a girl meeting a very special piano. Bertrand Chameroy joins Europe 1 for the start of the 2020 school year - PJB / SIPA Great return of Bertrand Chameroy in the media landscape! L’édito de février : Berlioz endeuillé, L’art quasi total des Prégardien et de l’Orchestre de chambre de Paris, Dessner en blues, Rouvali pathétique : nostalgie à la Philharmonie. The most acclaimed French pianist of his generation talks about the early years of his career and of his unusual projects for the future. He's also spent considerable time on the artists that he’s spotted during the early rounds who didn't make it into the media spotlight. The morning will be punctuated by the host with a daily column entitled "The screensaver" and whose mission will be to decipher a TV moment from the day before. “Fundamentally, I think that one of the choices that have been made by many performers and promoters (with me in the front row) is to have spend decades faithfully reproducing formats that have stopped evolving: the piano recital and the symphonic concert have frozen in their form. After four years alongside Cyril Hanouna in the  Touche pas à mon poste program  between 2012 and 2016, the host joined Philippe Vandel's Culture Médias program on Europe 1 from August 24. Ex-altiste toujours passionné par les répertoires chambristes et symphoniques, il occupe depuis 2018 le poste de rédacteur en chef de la partie francophone de Bachtrack. See you Monday https://t.co/egGHkfO7xY. We meet in Paris, a stone’s throw away from the Grands Boulevards, in a brasserie chain where the coffee is excellent at all times of day. This product includes GeoLite2 data created by MaxMind, available from, https://bachtrack.com/files/164481-1bertrand-chamayou-marco-borggreve-048-2.jpg, https://bachtrack.com/files/164482-bertrand-chamayou-marco-borggreve-025.jpg, https://bachtrack.com/files/164483-bertrand-chamayou--c--marco-borggreve---warner-classics-7.jpg, https://bachtrack.com/themes/bachtrack2013/mastheadlogo.png. For sure, it’s a career path that’s hard to grasp the sense of. “Creating new music must be at the heart of the approach”: interview with Bertrand Chamayou, https://bachtrack.com/interview-bertrand-chamayou-fevrier-2020, https://bachtrack.com/22/270/list-published/25762, https://bachtrack.com/files/119670-photo-labouret-bachtrack-2.jpg, https://bachtrack.com/files/164508-bertrand-chamayou--c--marco-borggreve---warner-classics-7.jpg, The making of a miracle: a Christmas video from Müpa Budapest, Tiffany Poon: “Music is not about music, it’s about life”, To add a comment, please sign in or register. Pianist Tiffany Poon is one of those rare phenomena that come along once in every generation to upend our preconceptions. At nearly 40 years old, the artist has started casting a self-critical eye on his pianistic career: “I’ve gone with the flow of what I’ve been offered, rather than making my own choices. I started composing very early, from about 9 or 10, and I was writing in the style of Messiaen, orchestral scores as big as this” – he mimes the size of a giant score, with an embarrassed "eyes-too-big-for-mouth" look. The Turkish pianist wants a grounded relationship with music, and isn’t afraid to put the hard miles in to get there. And don’t imagine that he was diligent at practice: “I didn’t have in any way this young prodigy thing, this competitive urge to become the strongest and most perfect.” it's an attitude that hasn't changed. At this point, yesterday’s Chamayou meets today’s Chamayou and casts his eye on tomorrow. "I will not confine myself to classic TV programs, to expand to platforms like Netflix", justified the journalist quoted by Le Parisien. ], Our privacy policy was last updated on Friday 31 January 2020, “I’m getting to forty years old. “I’d love to. “I’m getting to forty years old. His years of apprenticeship pass in a flash at the highest level, the pianist being “literally swept away” by the musical current, dragged to Paris by his teacher at the Conservatoire, Jean-François Hessier. For a long time, Chamayou didn’t need to make any choices, thanks to “the luxury of being watched over by fairy godmothers”. His show only lasted one season : the former protege of Cyril Hanouna, Bertrand Chameroy suffered a dismal failure with his show UFO.. “It’s going to change”, he repeats. Completely, because it’s going to be on two albums and I’m only going to be playing contemporary work written in homage to Messiaen: Tristan Murail, Jonathan Harvey…”. "Bonjour La France" du lundi au vendredi 10/12h sur Europe1 Fan page. After that, I could do any dictation exercise, however complex. 547 taler om dette. “It’s going to change. Radio audiences: France Inter and RTL are the stations most listened to by the French, On Twitter, Bertrand Chameroy mocks the flop of his columns in "TPMP", Bertrand Chameroy joins the morning of Europe 1, Bug of the 13 hour newscast on TF1: "What are we doing? The discussion begins with such simplicity that it’s hard to imagine that I’m in front of the most acclaimed French pianist of his generation, cultivated by the most prestigious institutions. Chamayou wants to be a bringer-together or, rather, someone who consigns turf wars to the past: “today, the stakes have changed. To understand the source of the gap between the man and his recordings, we have to take a trip into the past. Track, analyse & audit your Instagram Account with future projections of real followers growth in professionally audited report by Rajat Jain using Free Social Media Auditor. All these projects stem from a real frustration at having abandoned composing. There will be Balakirev, Alkan, Lachenmann… I’ve been wanting to do this for a very long time, it’s a very specific piece of imagination, very personal to me, because I’m an insomniac.” Chamayou is also preparing to set out on a new very personal and very unusual path: “the next project, in 2022, is going to be devoted to Messiaen’s Vingt Regards. Artist-in-residence at Radio France last season, he is now artistic director of the Long-Thibaud-Crespin Competition and has just taken up the reins at the Ravel Festival in Saint-Jean-de-Luz. Bertrand Chameroy, Boulogne-Billancourt, France. ", "13 hours" by Jean-Pierre Pernaut: a fireworks display of editorials for the last week, Justine Planchon, Director of Programs and Development at Troisième Œil, JT from Julian Bugier: "Yes, I love it, it's my darling, my 13 hours", Covid: "This time it's over, the good life is over! On the phone, he had lauded the quietness of the location and its bistrot cuisine, the neat summary marking him out as a regular customer. Among the new talents of the fall, Pascale Clark is also settling on the air and will be at the helm of the program “En balade avec” in which an artist will deliver his secrets to the host. In other words, Chamayou has turned from a musical prodigy who doesn’t practise much into a competition director who isn’t all that bothered by who wins the prize. Camille Combal voit-il toujours Bertrand Chameroy ? When I think about contemporary music and the fact that fundamentally, I had wanted to be a composer… It’s almost what excited me the most! Voici sa réponse ! In the time since the interview, this concert has been cancelled; to avoid confusion, we have removed this reference. Very early on, I wanted to do world premieres, but seeing the reluctance attached to this, I beat the retreat to less controversial projects.” Staying on well-beaten pianistic tracks, his inner musician chokes. Back to the TV box for Bertrand Chameroy! After all, the most important thing in a competition isn’t who wins the first prize: you can’t predict the future… What matters is that talent becomes visible. Bertrand Chameroy on his way to France 2. The start of the season promises to be promising for the radio station which, heavily affected by the Covid-19 crisis, recorded a very low audience share over the period from May 11 to July 5 with some 2.4 million listeners in average. Page Fan de Bertrand Chameroy le coin-coin de l'émission Touche pas à mon Poste ! Read about Nekfeu et Bertrand Chameroy... copains d'enfance sans le savoir by Europe 1 and see the artwork, lyrics and similar artists. In march 2016, Bertrand Chameroy, chronicler of the issuance TPMP on D8 and protected from Cyril Hanouna, left the program, leaving behind him his colleagues angry.. But I don’t know which end to start.” So my question remains unanswered. There is a plurality of styles that we haven’t seen before, with the boundaries between them blurring; categorisation is becoming highly problematic. Bertrand Chameroy, Pascale Clark ... Arnaud Lagardère's radio station finalizes its back-to-school scheduleBertrand Chameroy joins Europe 1 for the start of the 2020 school year - PJB / SIPA The ex-protégé of Cyril Hanouna will participate in the pilot of the new media program presented by Daphné Bürki. That’s why I love residences, it lets you create that kind of experience, giving one a space in which to be creative. - BENHAMOU LAURENT / PJB / SIPA. The morning will be punctuated by the host with a daily column entitl... Great return of Bertrand Chameroy in the media landscape! “I hated the environment and I still do.” Why, in that case, take on the torch of artistic director of that very competition, nearly 20 years later. [Update on 24th February 2020: a former version of this article referred to a concert at the Ravel Festival with the Czech Philharmonic. "Bertrand has a good pen and a wit" confided Constance Benqué, boss of the News division of the Lagardère group in The Parisian. It’s true that there’s a whole section of my career that isn’t so visible if you only look at the discography. 16 talking about this. (TPMP), literally "Don't Touch My TV Set! Healthy or not: are our eyes getting worse from all those screens? And Saint-Saëns, which won him a coveted Gramophone “Recording of the Year” a few months ago. This surprising difference gets us into the heart of the matter. Revoir la vidéo Le confinement de Bertrand Chameroy - 6 A La Maison - 12/11/2020 sur France 2, moment fort de l'émission du 13-11-2020 sur france.tv For as long as we don’t try to break this, we won’t be able to widen classical music audiences.” He is concerned at the ageing of audiences, of their being developed only within an overly restricted social class. "We want to embody modernity", assured Constance Benqué . He’s added this latest hat just three weeks ago and is quick to demur: “the next festival will be a transition: the structure isn’t yet what I’m looking for. France, 4th country in terms of vaccination against Covid? L'écran de veille par Bertrand Chameroy : 10H08 à 10H11 le Lundi, Mardi, Mercredi, Jeudi, Vendredi - Culture médias - Podcasts et replay audio & vidéo We’ll be creating a new structure bringing together the festival and the Ravel Academy.”, Chamayou has recorded Ravel. The Pierre Fabre pharmaceutical group victim of a cyberattack, The 1990s through the eyes of a teenager: what is the film "Masha" about, 75 years of WELT: Where women stand today - "Your weight, please ...! 2020-02-18T19:59:43.631Z. The young Japanese pianist takes an approach to performance informed by a keen interest in historical recordings, influential teachers and mentors, and a natural curiosity. Since I could read music to such a high level, I immediately wanted to make sense of the scores that were far too difficult for my fingers: sonatas by Beethoven, Ravel, even Messiaen!
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